Sanderlak’s Year 01: Los Angeles, Collection II Explore…

During Paris Fashion Week Men’s last month, Sanderlak released Year 01: Los Angeles, Collection II that continues designer Sander Lak’s ongoing dialogue with the city. The post Sanderlak’s Year 01: Los Angeles, Collection II Explores the City After Dark appea…

“This is Los Angeles from sunset and into night: buzzing neon signs, dry landscapes washed in the unnatural glow of highway lights, and faded missing dog and cat posters peeling from walls. The city feels darker and more dangerous once the sun disappears. It is not a safe place, you feel that most at night, and yet the beauty remains. Glamour and decay exist side by side.” – Sander Lak During Paris Fashion Week Men’s last month, Sanderlak released Year 01: Los Angeles, Collection II that continues designer Sander Lak’s ongoing dialogue with the city.

Following the sun-drenched optimism of Collection I, this second chapter turns toward the nocturnal, capturing Los Angeles in the charged hours just before and after dark. When we met Lak during fashion week, he walked us through the collection in a playful yet intimate setting, seamlessly interchanging looks between menswear and womenswear. The fluidity underscored his instinctive approach to proportion and silhouette, garments shifting across the spectrum with ease, unified by mood rather than category.

Where the first installment reveled in overexposure and the euphoric haze of constant sun, Collection II embraces neon glare, shadow, and artificial light. Lak constructed the palette from years of iPhone images, fleeting fragments reduced to pure color, forming a story of buzzing signs, dry landscapes lit by highway glow, and peeling posters fading into cracked walls. Born in Brunei and educated at ArtEZ and Central Saint Martins, Lak’s career has included roles at Phillip Lim, Balmain, and Dries Van Noten before founding Sies Marjan in 2016.

A recipient of the CFDA Emerging Designer of the Year award, Lak continues to refine his poetic use of color and subversion of material with Sanderlak, a brand that, with Year 01, moves from the brightness of day into the charged ambiguity of night. Uri Carbonell, Marc Carbonel, Edu Muñoz, Miquel Villena, Moha Gaye and Serghei P photographed by Joel Escalonilla and styled by Fernando Piñol, in exclusive for Fucking Young!

Online. During Paris Fashion Week Men’s last month, Sanderlak released Year 01: Los Angeles, Collection II that continues designer Sander Lak’s ongoing dialogue with the city. “Dreaming in Colour” runs from March 5 to April 6, 2026, and brings together more than 20 emerging artists from across continents. ICECREAM is making denim its main focus for SS26. The brand is pulling from American youth culture, mid-century references, and the energy of early 2000s streetwear.

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This LGBTQIA+ History Month, Tate Modern Lates hands the keys to one of the most vital forces in global club culture. There is a deep connection to snow in Oakley‘s DNA. From pioneering innovation in goggles in the early 1980s to developing vision systems used by athletes today, the brand has been driving performance in winter sports. That… » Viviano’s Fall/Winter 2026 collection begins with a question: “What emerges when menswear is created through a womenswear way of thinking?” For their first campaign at Loewe, creative directors Jack McCollough and Lazaro Hernandez have built a world that feels immediate and physical.

Calvin Klein, creatively directed by Veronica Leoni, unveils its Fall/Winter 2026 collection during New York Fashion Week. In an age of relentless image production, where bodies are captured, filtered and consumed in seconds, Matu Buiatti’s La Isla moves at a different tempo. Tim Reimann and Erik Mascher photographed by Laurin Hirsch and styled with pieces by Klara Schmidt, in exclusive for Fucking Young!

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